clifford geertz: “deep play: notes on the balinese cockfight” summary and review to start form the bottom line, clifford geertz’s essential notion expressed in. “Deep Play: Notes on the Balinese Cockfight” is one of Clifford Geertz’s most influential articles which illustrates not only the meaning of a given. Perhaps one of the most widely read anthropological essays, “Deep Play: Notes on the Balinese Cockfight” by Clifford Geertz is available.
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The first is to draw the audience into the society along with the anthropologist. Geertz was one of the most influential figures in symbolic and interpretive anthropology.
The actual cockfight is a human competition, delegated to animals, balinsse the winner gets respect and admiration from the others, while money although Geertz does describe the complex betting system in great detail is secondary. However, Geertz reminds us, neither winning nor losing in a cockfight can actually change the social status of the participant, remaining but a metaphor of real success of failure.
However, they have a deep identification with their cocks yes, with their cocks and “in identifying with his cock, the Balinese man is bbalinese not only with his ideal self, or even his oh, but also, and at the same time, with what he most fears, hates, and ambivalence being what it is, is fascinated by- the powers of darkness”. Geertz distinguishes “deep fights”, with high wages, and “shallow fights”, usually with low wages of both gambling and prestige.
To start form the bottom line, Clifford Geertz ‘s essential notion expressed in ” Deep Play: Geertz shows how the Balinese cockfight serves as a cultural text which embodies, at least a portion of, what the real meaning of being Balinese is. Just like in the West, the cock in Bali symbolizes masculinity, and the rules of cockfights in every village are passed down through generations along with other legal traditions.
In this sense, cockfights act as a liberation device for men, which allows them to indulge in what is usually considered repulsive behavior — animal-like behavior – and connect with their inner selves, their masculinity, their penises.
More Geertz online at HyperGeertz.
Cultural Reader: Clifford Geertz: “Deep Play: Notes on the Balinese Cockfight” – summary and review
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Deep Play: Notes on the Balinese Cockfight – Wikipedia
Based on a large pool of observations and interviews, Geertz concludes that the cockfight as a cultural phenomenon offers rich anthropological material for the interpretation of the Balinese society. Jones Methews March 13, at 4: The idea of culture as a set of symbols that we share back and forth seems almost custom-designed to avoid the kinds of political economic analysis Rola and myself would like to see. This aspect is the most striking for me.
ANd, of course the fact that we can still develop a pretty hearty discussion suggests that the issues raised by Geertz around the time I was born are still far from totally settled. The first cockfight that he and his wife viewed was broken up by the police. Cockfighg article starts with a heart-pounding chase.
Deep Play: Notes on the Balinese Cockfight
I think that the word statues must be replaced with status in the 4th paragraph. On December 31 and January 1 the Museum is closed. The Balinese cockfight is, as Geertz puts it, a way of playing with fire without getting burned.
This story serves two purposes: To ask of any cultural text, be it a cockfight or a folktale, who is talking, who is being talked to, what is being talked about, and what form of action is being called for, is to move cultural analysis to a new level deeep renders the old antinomies of materialism and idealism irrelevant. From January 7 it will be open as usual.
It channels aggression and rivalry into an indirect symbolic sphere of engagement.
Deep Play: Notes on the Balinese Cockfight by Clifford Geertz
For example, women and young and socially disadvantaged people are not allowed to attend cockfights, while the main players are the most respected and politically involved members of the community. Rituals such as the Balinese cockfight, Geertz concludes, are a form of text which can be read.
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